The mixer includes a maximum of six microphones or twelve-line inputs, the latter of which are divided into four mono and four stereo inputs. There is also a group channel. The whole thing is rounded off by two aux channels, which also include an internal effects engine. The “SPX processor” offers 24 effect programs, which the manufacturer advertises as “high quality”. Internal: You may transfer the Software to an alternative system. After the transfer, You must completely remove the Software from the former system.

This EULA and any amendment or addendum to this EULA applies to updates, supplements, or add-on components of the Software that Allen & Heath may provide to You, including in accordance with clauses 2.2 and 2.3, or make available to You after the date You obtain your initial copy of the Software unless a further EULA is provided with these.The M channels feature 3-band EQ, with shelving HF and LF bands (12 kHz and 80 Hz corner frequencies) and a broad bell MF band centered on 600 Hz. These are slightly unusual frequency choices — it’s more common to see Mid control around 1 kHz and Highs at 10 kHz — but they sound quite musical. MF adds body and heft to guitars and vocals, and the HF shelf is nice for taming overly sparkly condenser mics or adding a touch of “air” where needed.

Then, there are the effects. These effects are optimized for send and return use, so they’re all time-based — that’s to say you’ll get reverbs, delays, and some modulation effects.You get a hefty 61 presets, and you can adjust parameters and save presets yourself. Really they’re a dream for live engineers working in small settings. Again, in a studio situation you may find yourself relying a little more on in-the-box solutions — but in a live setting, where you don’t want to lug around a lot of gear, the effects included are versatile, sound great, and are easy to use. Conclusions

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In the middle of the console are the FX controls. On the right side of the consoleyou’ll find the master section, which has a long-throw fader, headphone controls, aux and monitor controls, and a phantom power switch — which is global.

I connected the ZED10 FX to my MacBook Pro and it was recognised instantly as a class‑compliant USB audio device, so no drivers were required. However, Allen & Heath suggest trying the third‑party ASIO4ALL driver if you're experiencing any problems on a PC (not that you should be!). The Allen & Heath ZEDi-10FX USB Audio Interface is a USB audio interface, featuring four inputs, four outputs, FX, a 3-band EQ, and 48V phantom power. The ZEDi-10FX combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface and an outstanding multi-model FX unit, making it a perfect all-round choice for musicians, recording artists and venues. Featuring the new GSPre boutique preamp design, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. ZEDi-10FX features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath’s analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source. Road Tough You will receive the remedy elected by Allen & Heath. You are responsible for any expenses You may incur. The Limited Warranty provided in this clause is void if failure of the Software has resulted from accident, abuse, misapplication, abnormal use, a virus, or combination of the Product or Software with any other product or software. Any replacement Software will be warranted for the remainder of the original warranty period or thirty (30) days, whichever is longer, and Allen & Heath will use reasonable efforts to provide your remedy within a reasonable time of your compliance with Allen & Heath’s warranty remedy procedures. I currently use it as my main audio interface in my little studio, and it works well enough for that. As an interface it's not as user friendly as the scarlett suite, but it makes up for it in versatility.

All ZED mixers are designed and built to Allen and Heath’s legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage. Made for guitars Credit subject to status and affordability. Terms & Conditions Apply. Guitar Guitar Limited is a credit broker and is Authorised The only remaining channel controls concern the Aux and FX channels. The aux channel, as you'd expect, has a knob to control the level, but no more than that. The FX channel includes both a level knob and, usefully, a tap‑tempo button, as well as up/down buttons used to select the required effect. The recording works straight away without any problems. There is the possibility to record up to 24 bit, 96 kHz. There are many similarities between these mixers, so the following tables show only the main differences.

The microphone reduces excess noise. The console has a button that allows you the ability to control external noise once you have included the microphone. ZEDi-10FX combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface and an outstanding multi-model FX unit, making it a perfect all-round choice for musicians, recording artists and venues.You won't need separate direct boxes to connect your guitar or bass to the ZEDi-10FX mixer, unlike many other compact mixers. The first two channels have switchable hi-Z inputs: just hit the switch and connect any electric or acoustic-electric instruments you like. Engage the low-cut filter to help reduce rumble and unwanted low frequencies, then shape your sound to taste with the 3-band EQ. Allen & Heath ZEDi-10FX 10-channel Mixer Features: They also offer up to 60 dB gain. They, thus, also help dynamic microphones with low output on the jumps. And yes, condenser microphones can also be connected, because 48-volt phantom power can be switched. If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered ZEDi-10FX features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath’s analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source